---
product_id: 173739016
title: "Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator"
brand: "behringer"
price: "₩2109541"
currency: KRW
in_stock: false
reviews_count: 10
url: https://www.desertcart.kr/products/173739016-behringer-poly-d-analog-4-voice-polyphonic-synthesizer-with-37
store_origin: KR
region: South Korea
---

# 32-step polyphonic sequencer 37 full-size semi-weighted keys 4 VCOs for rich analog sound Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator

**Brand:** behringer
**Price:** ₩2109541
**Availability:** ❌ Out of Stock

## Summary

> 🎹 Own the analog legend reimagined — where vintage soul meets modern groove.

## Quick Answers

- **What is this?** Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator by behringer
- **How much does it cost?** ₩2109541 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.kr](https://www.desertcart.kr/products/173739016-behringer-poly-d-analog-4-voice-polyphonic-synthesizer-with-37)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Classic Ladder Filter:** Experience the warm, vintage 'D Type' filter with ultra-precise components for pristine sound sculpting.
- • **Polyphonic Flexibility:** Switch seamlessly between mono, unison, and 4-voice polyphonic modes for ultimate creative freedom.
- • **Quadruple VCO Powerhouse:** Unleash insanely fat, authentic analog tones with 4 voltage-controlled oscillators.
- • **Modern Connectivity & Control:** MIDI and USB integration plus app-based customization keep your workflow sleek and future-ready.
- • **Built-in Sequencer & Arpeggiator:** Craft complex patterns and chord sequences effortlessly with the intuitive 32-step sequencer and arpeggiator.

## Overview

The Behringer POLY D is a 4-voice polyphonic analog synthesizer featuring 37 semi-weighted full-size keys, 4 voltage-controlled oscillators, and a classic 'D Type' ladder filter. It includes a 32-step sequencer and arpeggiator, stereo chorus effects, distortion, and modern MIDI/USB connectivity. Designed as a faithful yet modern homage to the iconic Mini Moog, it delivers rich, warm analog tones with flexible polyphony and intuitive control, making it a powerful tool for both vintage synth enthusiasts and contemporary producers.

## Description

Analog synthesizer with quadruple VCO design allows for insanely fat music creation.

Review: Modern version of the Mini Moog - I have been playing synthesizers and other instruments for several decades now and I grew up in the early days of Moog, when they were the original standard for synthesizers. This is, in short, loyal to the legacy of its design, and yet updated for a more modern era. It has a great build quality, excellent sound, and... the price is more than reasonable. If you already are conversant with synthesizers, then my review is pretty simple... This is essentially a modern version of the Mini Moog and comes extremely close to replicating the sounds and behaviors of that celebrated instrument. Unlike the Moog Voyager and other Moog evolutions of the Mini Moog (Sub 37, et al), Behringer elected to stick to the legacy Mini Moog design and layout. It does have a few welcome extras in its design, namely a built in sequencer/arpeggiator, a fourth oscillator (that can also be a secondary LFO), an adjustable keyboard after pressure, and, of course, MIDI and USB connections. It works quite well, the keyboard action is very comfortable, and the knobs and switches have a very satisfying heft to their action. The paraphonic polyphony is exactly what I would expect in this type of synthesizer, although with a quite a bit more flexibility that what I had in the early 1980s with paraphonic synthesizers. I knew what the polyphony of this synthesizer was going into this and I was not disappointed. Some people really want true polyphonic Mini Moog, and I suppose that would be neat, but you would have to have some way to independently trigger and envelope each oscillator output and... well, at that point you might as well look at something else designed in that fashion like the DeepMind, because it will not be a Mini Moog anymore. In any case, I find the paraphonic Poly D quite usable and it gives some abilities to create some beautiful sound and chord structures. It is worth noting that you can configure some elements of the Poly D through an app interface on your phone or tablet. These would include things like high/low/last note priority on the keyboard, MIDI configurations, and some other items. This is very handy and is quite easy to use. Having said that, to just play this thing, all you need is a place to plug it in to the wall and either some headphones or a keyboard amp (I use an old Roland KC-60 that I have had for a long time). I have not tried using this with my DAW or other software, yet, but if its MIDI and software interfaces follow the other Behringer designs (which it does, except for poly-chaining, as I understand), it should be a pretty straightforward process. I have a couple of Neutrons and a Crave and they all seem to work well with my Apple based environment. But, having said that, I have not tried the Poly D with it yet. The sequencer is a nice feature and quite easy to use. It has a lot of flexibility in terms of what you can sequence, and yes, it can sequence in polyphony. Thus, if you record a chord to a sequence in poly mode, that chord will be part of the sequence. You can also ratchet a sequence and add swing rates, plus some basic editing of the patterns. My understanding is that you can synchronize this through MIDI, but I have not tried that yet, obviously. This is essentially the same sequencer you will find on other Behringer products (including my Crave). The filters have a good set of ranges and do their job. The adjustments are nice in that I can put just a subtle curve in a filter envelope to add just the right level of color to a tone. When you are trying to finesse the tone and its articulation for voicing purposes, the ability to make subtle and accurate changes is important, and this is where the control panel and the filter circuit design (as well as the envelope generator) work well. I have not used the distortion tool set much yet, but it seems to work. It is not something that I will likely use much in my music (I tend to focus on more discrete classical music realizations as opposed to ambient sound mixtures, thus I am looking more for patch designs that can be incorporated into a music score. Having said that, I still like to use interesting colorings and sound contours to add expression, similar to what Tomita did in the 1970s). The Poly D has both a Chorus I and Chorus II button. I love this stereo chorus feature and while it is not something I would use all of the time, it can be great one button trick to add some meat to, say an uplifting chorus of a piece (like one would do with a Hammond Leslie). One caveat, do not try to use both buttons at once. It creates a terrifically bad phase interference. The Poly D has multiple inputs and outputs for processing external sound and triggers. Some caveats - Like all analogue circuits of these types, you need to let this warm up before you tune and play. 10-15 minutes and you should be good. - My Poly D scaled pretty well after it warmed up (in other words, the octaves were all in tune with each other and reasonably well tempered). If the tempering does not settle down after it is warmed up, you can adjust and calibrate the tuning across the octaves from some back side controls (potentiometers). This is not difficult but it can be a bit tedious and you must use the right tools and not be hamfisted so as to break the internal mechanisms. Be gentle and patient here if you need to do this. - If you are wanting a system where you can cross patch between modules, this is not your system. Connections between modules are fixed along with the processing flow. You can connect and disconnect modules through switches, but not how they connect. So, for example, if you wanted to somehow connect the LFO to say, trigger the chorus, it will not happen here. - There is no sample and hold. Of course, this was not native to the original Mini Moog, but it would have been a nice addition. - Like the original Mini Moog, there are no presets or a capability to save a patch setting. This is all knobs and switches. - You can hook an external keyboard to the Poly D through its MIDI connector. However, and this may depend upon the keyboard and connection, you may not be able to control such things as the starting note of a sequencer controlled pattern from the external keyboard. You will still have to use the built in keyboard for that. Not a big deal, really, but something of which to be aware. - While you cannot poly-chain to another Behringer synthesizer, you can send a MIDI through connection for the same keyboard signal to another synthesizer (I have done this with my Neutrons). This is a good instrument, especially if you were wanting a Mini Moog and could not afford the high prices. It is not a compromise at all to get this rig. I am having a lot of fun with it and it is nice to be able to quickly dial in a patch and just play with the sounds and music very easily without thinking through the patches and patch cords.
Review: Just Amazing! Floored at the sound! - I have owned a Model D and all kinds of synths since the mid 70's and this thing Rocks! And I will make this perfectly clear, the keybed SUCKS!!! But it isn't a deal breaker. I would still give it 10 Stars! For $500, on sale, you are getting the SOUND of a genuine Moog Model D. Before I even turned it on I dialed in my Favorite settings, can't really call it a patch. Turned it on, took a few seconds to get the volume up, and to my ears I heard instant PERFECTION! I could not do a side by side comparison because my '78 Model D dunt works no more, contact issues with age and use. More valuable if I don't fix it. This Poly D is a perfect replacement at one tenth the cost. The read D reissues start at $5000 and up. I can't justify that. But I don't need a side by side. This thing is 100% there. While i hate the keybed, I can work with it. Even if these go up in price, what isn't? I would buy again in a heartbeat. I Love it that much. Sweetwater is always awesome, fixing to order from them again. If you understand what an Old School mono lead synth is, the POly D will Not disappoint.

## Features

- Analog synthesizer with quadruple vco design allows for insanely fat music creation
- 4-Voice polyphonic/paraphonic design with mono, unison and polyphonic Mode
- 37 semi-weighted full-size keys featuring velocity functionality
- Authentic reproduction of original "D Type" Circuitry with matched transistors and jfets
- Ultra-high precision 0.1% thin film resistors and polyphenyline sulphide capacitors

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B082BLNRXT |
| Best Sellers Rank | #46,586 in Musical Instruments ( See Top 100 in Musical Instruments ) #106 in Synthesizer & Workstation Keyboards |
| Body Material | Metal and Plastic |
| Color Name | Black |
| Connector Type | [MIXED] |
| Customer Reviews | 4.4 4.4 out of 5 stars (270) |
| Date First Available | December 5, 2019 |
| Finish Type | Painted |
| Global Trade Identification Number | 04033653032049 |
| Included Components | Analog 4-Voice Polyphonic Synt |
| Is Discontinued By Manufacturer | No |
| Item Styling | Classic |
| Item Weight | 26.1 pounds |
| Item model number | POLY D |
| Manufacturer | Music Tribe US |
| Material Type | Metal Plastic |
| Number of Keyboard Keys | 37 |
| Product Dimensions | 3.94 x 3.94 x 3.94 inches |
| Size | 37-Key |

## Product Details

- **Brand:** Behringer
- **Color:** Black
- **Item dimensions L x W x H:** 3.94 x 3.94 x 3.94 inches
- **Material:** Metal Plastic
- **Model Name:** POLY D

## Images

![Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator - Image 1](https://m.media-amazon.com/images/I/5188OwImgJL.jpg)
![Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator - Image 2](https://m.media-amazon.com/images/I/51zpRqMHmzL.jpg)
![Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator - Image 3](https://m.media-amazon.com/images/I/612W4ao9Z3L.jpg)
![Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator - Image 4](https://m.media-amazon.com/images/I/619qUl-O4UL.jpg)
![Behringer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator - Image 5](https://m.media-amazon.com/images/I/61SA4-PtnjL.jpg)

## Questions & Answers

**Q: Can a poly d be connected straight into a keyboard amp ?**
A: Would recommend using a dedicated keyboard amp, but if you use a limiter you could probably get away with using any amp.

**Q: Is there a poly d for dummies? i need a “how to” book.**
A: Hi I brought the (poly D) for my son… I know they have a few clips on YouTube but no books that I know about.

**Q: The product information states the weight is 1 pound, is this correct?**
A: It does not weigh 1 pound. Metal enclosure. 22 pounds.

**Q: Is the power supply included?**
A: Yes it is.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Modern version of the Mini Moog
*by D***Y on January 13, 2023*

I have been playing synthesizers and other instruments for several decades now and I grew up in the early days of Moog, when they were the original standard for synthesizers. This is, in short, loyal to the legacy of its design, and yet updated for a more modern era. It has a great build quality, excellent sound, and... the price is more than reasonable. If you already are conversant with synthesizers, then my review is pretty simple... This is essentially a modern version of the Mini Moog and comes extremely close to replicating the sounds and behaviors of that celebrated instrument. Unlike the Moog Voyager and other Moog evolutions of the Mini Moog (Sub 37, et al), Behringer elected to stick to the legacy Mini Moog design and layout. It does have a few welcome extras in its design, namely a built in sequencer/arpeggiator, a fourth oscillator (that can also be a secondary LFO), an adjustable keyboard after pressure, and, of course, MIDI and USB connections. It works quite well, the keyboard action is very comfortable, and the knobs and switches have a very satisfying heft to their action. The paraphonic polyphony is exactly what I would expect in this type of synthesizer, although with a quite a bit more flexibility that what I had in the early 1980s with paraphonic synthesizers. I knew what the polyphony of this synthesizer was going into this and I was not disappointed. Some people really want true polyphonic Mini Moog, and I suppose that would be neat, but you would have to have some way to independently trigger and envelope each oscillator output and... well, at that point you might as well look at something else designed in that fashion like the DeepMind, because it will not be a Mini Moog anymore. In any case, I find the paraphonic Poly D quite usable and it gives some abilities to create some beautiful sound and chord structures. It is worth noting that you can configure some elements of the Poly D through an app interface on your phone or tablet. These would include things like high/low/last note priority on the keyboard, MIDI configurations, and some other items. This is very handy and is quite easy to use. Having said that, to just play this thing, all you need is a place to plug it in to the wall and either some headphones or a keyboard amp (I use an old Roland KC-60 that I have had for a long time). I have not tried using this with my DAW or other software, yet, but if its MIDI and software interfaces follow the other Behringer designs (which it does, except for poly-chaining, as I understand), it should be a pretty straightforward process. I have a couple of Neutrons and a Crave and they all seem to work well with my Apple based environment. But, having said that, I have not tried the Poly D with it yet. The sequencer is a nice feature and quite easy to use. It has a lot of flexibility in terms of what you can sequence, and yes, it can sequence in polyphony. Thus, if you record a chord to a sequence in poly mode, that chord will be part of the sequence. You can also ratchet a sequence and add swing rates, plus some basic editing of the patterns. My understanding is that you can synchronize this through MIDI, but I have not tried that yet, obviously. This is essentially the same sequencer you will find on other Behringer products (including my Crave). The filters have a good set of ranges and do their job. The adjustments are nice in that I can put just a subtle curve in a filter envelope to add just the right level of color to a tone. When you are trying to finesse the tone and its articulation for voicing purposes, the ability to make subtle and accurate changes is important, and this is where the control panel and the filter circuit design (as well as the envelope generator) work well. I have not used the distortion tool set much yet, but it seems to work. It is not something that I will likely use much in my music (I tend to focus on more discrete classical music realizations as opposed to ambient sound mixtures, thus I am looking more for patch designs that can be incorporated into a music score. Having said that, I still like to use interesting colorings and sound contours to add expression, similar to what Tomita did in the 1970s). The Poly D has both a Chorus I and Chorus II button. I love this stereo chorus feature and while it is not something I would use all of the time, it can be great one button trick to add some meat to, say an uplifting chorus of a piece (like one would do with a Hammond Leslie). One caveat, do not try to use both buttons at once. It creates a terrifically bad phase interference. The Poly D has multiple inputs and outputs for processing external sound and triggers. Some caveats - Like all analogue circuits of these types, you need to let this warm up before you tune and play. 10-15 minutes and you should be good. - My Poly D scaled pretty well after it warmed up (in other words, the octaves were all in tune with each other and reasonably well tempered). If the tempering does not settle down after it is warmed up, you can adjust and calibrate the tuning across the octaves from some back side controls (potentiometers). This is not difficult but it can be a bit tedious and you must use the right tools and not be hamfisted so as to break the internal mechanisms. Be gentle and patient here if you need to do this. - If you are wanting a system where you can cross patch between modules, this is not your system. Connections between modules are fixed along with the processing flow. You can connect and disconnect modules through switches, but not how they connect. So, for example, if you wanted to somehow connect the LFO to say, trigger the chorus, it will not happen here. - There is no sample and hold. Of course, this was not native to the original Mini Moog, but it would have been a nice addition. - Like the original Mini Moog, there are no presets or a capability to save a patch setting. This is all knobs and switches. - You can hook an external keyboard to the Poly D through its MIDI connector. However, and this may depend upon the keyboard and connection, you may not be able to control such things as the starting note of a sequencer controlled pattern from the external keyboard. You will still have to use the built in keyboard for that. Not a big deal, really, but something of which to be aware. - While you cannot poly-chain to another Behringer synthesizer, you can send a MIDI through connection for the same keyboard signal to another synthesizer (I have done this with my Neutrons). This is a good instrument, especially if you were wanting a Mini Moog and could not afford the high prices. It is not a compromise at all to get this rig. I am having a lot of fun with it and it is nice to be able to quickly dial in a patch and just play with the sounds and music very easily without thinking through the patches and patch cords.

### ⭐⭐⭐⭐⭐ Just Amazing! Floored at the sound!
*by W***M on August 4, 2025*

I have owned a Model D and all kinds of synths since the mid 70's and this thing Rocks! And I will make this perfectly clear, the keybed SUCKS!!! But it isn't a deal breaker. I would still give it 10 Stars! For $500, on sale, you are getting the SOUND of a genuine Moog Model D. Before I even turned it on I dialed in my Favorite settings, can't really call it a patch. Turned it on, took a few seconds to get the volume up, and to my ears I heard instant PERFECTION! I could not do a side by side comparison because my '78 Model D dunt works no more, contact issues with age and use. More valuable if I don't fix it. This Poly D is a perfect replacement at one tenth the cost. The read D reissues start at $5000 and up. I can't justify that. But I don't need a side by side. This thing is 100% there. While i hate the keybed, I can work with it. Even if these go up in price, what isn't? I would buy again in a heartbeat. I Love it that much. Sweetwater is always awesome, fixing to order from them again. If you understand what an Old School mono lead synth is, the POly D will Not disappoint.

### ⭐⭐⭐⭐⭐ Excellent Poly D
*by J***H on November 9, 2024*

Quick shipping, no issues with keyboard and this thing is a beast! So many sounds and it’s solid. Very heavy and quality knobs. This thing will last a lifetime

## Frequently Bought Together

- Behringer Poly D Polyphonic Analog Synthesizer
- Mellbree MIDI Cable, 2-Pack 3-Feet Male to Male 5-Pin MIDI Cable Compatible with MIDI Keyboard, Keyboard Synth, Rack Synth, Sampler, External Sound Card, Sound Source and Other Music Gear

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*Product available on Desertcart South Korea*
*Store origin: KR*
*Last updated: 2026-02-22*