---
product_id: 67410692
title: "Musical Composition: Craft and Art"
brand: "alan belkin"
price: "₩83933"
currency: KRW
in_stock: true
reviews_count: 13
url: https://www.desertcart.kr/products/67410692-musical-composition-craft-and-art
store_origin: KR
region: South Korea
---

# Musical Composition: Craft and Art

**Brand:** alan belkin
**Price:** ₩83933
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Musical Composition: Craft and Art by alan belkin
- **How much does it cost?** ₩83933 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.kr](https://www.desertcart.kr/products/67410692-musical-composition-craft-and-art)

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- alan belkin enthusiasts

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## Description

Musical Composition: Craft and Art

## Images

![Musical Composition: Craft and Art - Image 1](https://m.media-amazon.com/images/I/81yxNf899qL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Great Introduction to Music Composition
  

*by J***S on Reviewed in the United States on February 20, 2020*

This is a great comprehensive book that deals with the traditional subjects taught in music composition in an artful and entertaining way.  There are many books that aim to teach music composition but fail at execution.  It is simple, to the point, and straightforward.  As an undergraduate studying music composition, I have found this book to be extremely helpful as a supplement to my regular theory and composition courses. Must read!!

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Perfect For Beginner Composers Who Know Basic Music Theory
  

*by R***O on Reviewed in the United States on May 30, 2021*

Each chapter can be read on their own and the book does a great job of making sense of things such as sonata form, phrasing, and motif/motif development.

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    GET THE SCHOENBERG BOOK TOO
  

*by J***N on Reviewed in the United States on April 21, 2022*

A lot of people have been recommending this as a replacement for Schoenberg's "Fundamentals of Musical Composition", but, I have both and I can say this is clearly not the case. This book is best used as a supplement to that book-- Mr. Belkin, instead of really going in depth to the nuts and bolt of what each form presented sounds like and progresses, provides a few musical examples and allows you to essentially abstract from your mind generally how each form works. Schoenberg does not do this; he explains everything very clearly with clear wording instead of letting the examples speak for themselves. Of course, Schoenberg provides a lot of examples too, but they are all elaborations on the basic skeleton he lays out at the beginning of the chapter in clear wording. One would best, therefore, read through the Schoenberg chapter, then switch to the Belkin chapter, as Mr. Belkin provides many much clearer examples for how each form can be stretched and shrunk and played with in general. More on that later.In theory, Mr. Belkin's book contains more "forms" than Mr. Schoenberg's, but Mr. Belkin does not go sufficiently in depth, again, affirming the main idea before expanding to "what can we do with this."For the most immediately offending example, Mr. Belkin mentions in passing in his section on ternary form how minuets are frequently in ternary form paired with a trio. He does not go into any more specifics about characteristics of the minute and trio or the evolution to the scherzo as Schoenberg does. Belkin's book has one huge leg up on Schoenberg's book and that is that Belkin covers binary form and how to properly write a piece in binary form. This could prepare a reader to compose an individual piece in binary form, or a movement in a larger work, or a number of movements in a baroque dance suite (though I would supplement the last with videos by Musica Universalis on YouTube.)Furthermore, Mr. Belkin's book does not go sufficiently in depth on what Schoenberg refers to as "motive-forms," which are essentially the building block of phrases. He instead provided a vague answer, because it's more "style-neutral." In his chapter on phrases, he does elaborate more on "less stable structures" of phrasing, which, Arnold Schoenberg does as well, but honestly, Belkin's book does a better job of adding on top of that basic frame that Schoenberg lays out.Ultimately the one thing that makes this book such an amazing complement (not replacement!) for the Schoenberg text is that it goes quite in depth about more general concepts instead of the nitty-gritty of each form.So, to sum it up nicely:Schoenberg's book will teach you form. It is the book you need for that. Belkin's book will open your mind after reading the Schoenberg chapter and teach you HOW to compose artistically using those forms.Thus, I can strongly recommend this book, but I will say, it should be used as a supplement instead of a replacement for a more fundamental knowledge of forms.

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*Product available on Desertcart South Korea*
*Store origin: KR*
*Last updated: 2026-01-29*