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“A fascinating, funny and evocative play. . . . Ruhl develops the story with the enticing blend of irreverent humor and skewed realism. . . . It’s beautiful.” – San Francisco Chronicle “[This] breathtakingly inventive addition to Ruhl’s singular body of work . . . has the potential to be a modern masterpiece.”– Los Angeles Times Sarah Ruhl made her Broadway debut this fall with her latest effervescent comedy: a play about sex, intimacy, and equality, set in the 1880s, when enthusiasm for the electric light bulb gave rise to a handy new instrument to treat female hysteria. The story revolves around the medical office and home of Dr. Givings, who regularly induces “paroxysm” in his once high-strung patient Sabrina, allowing her to happily return to playing piano. Soon, Sabrina falls in love with the doctor’s assistant Annie, and also befriends his wife Catherine, who is dealing with her own neurotic misgivings about not being able to breast-feed her baby. With this new work, Ruhl once again uses playful symbolism and lyrical language as she makes seemingly effortless thematic leaps—crafting a play with tremendous critical and audience appeal, in her singular theatrical voice. Sarah Ruhl ’s plays include Dead Man’s Cell Phone , The Clean House (a Pulitzer Prize finalist), Passion Play , and Eurydice , all of which have been widely produced throughout the United States and internationally. She is a recipient of the MacArthur Fellowship. Review: Sarah Ruhl Rules - There is no living playwright whose work I love more than Ruhl's. "Magical," as they say. This play is more subtle than it may seem. The role of Elizabeth is easily overlooked. So also the dawning of the age of electricity as historical context--"Mr. Edison," as he is called. Vibrators, if I can say it, engage a lot more than bodily cavities. We enter a world and characters that are funny and tragic, strong and weak, in a zillionways. In other words, they are "real people" with a surprising amount to teach and tell us. Review: Not perverse but touching and personal as no machine ever could be - This play is about the mechanics of life and the metallic, inanimate feeling of going through the motions. Through the play we see all of the different jolts and sparks that animate us, invigorate us, and light up the darkened shadows in our lives: true, genuine, sincere, embarrassingly sloppy and sanguine human interaction. From sunsets to snowfalls we see our vision of beauty, or lack thereof, colored and outlined by our relationships with others. Wonderful play!


















| Customer Reviews | 4.6 out of 5 stars 174 Reviews |
L**U
Sarah Ruhl Rules
There is no living playwright whose work I love more than Ruhl's. "Magical," as they say. This play is more subtle than it may seem. The role of Elizabeth is easily overlooked. So also the dawning of the age of electricity as historical context--"Mr. Edison," as he is called. Vibrators, if I can say it, engage a lot more than bodily cavities. We enter a world and characters that are funny and tragic, strong and weak, in a zillionways. In other words, they are "real people" with a surprising amount to teach and tell us.
A**R
Not perverse but touching and personal as no machine ever could be
This play is about the mechanics of life and the metallic, inanimate feeling of going through the motions. Through the play we see all of the different jolts and sparks that animate us, invigorate us, and light up the darkened shadows in our lives: true, genuine, sincere, embarrassingly sloppy and sanguine human interaction. From sunsets to snowfalls we see our vision of beauty, or lack thereof, colored and outlined by our relationships with others. Wonderful play!
P**D
Much better to watch than to read
Now that I have read this book, (Kindle edition) and seen the play, I am ready render my thoughts. In short from: this is a much better play to watch than it is to read. Nowhere in the text is the pointed wit of an Oscar Wilde or the deep sophistication of a Tom Stoppard. The words are simple and as a read it is somewhat limp. As a performance, these problem disappear. Sarah Ruhl's play takes place in two rooms, sometimes simultaneously. Mostly we are in the front room of the home/office of Dr. and Mrs Givings. The "Next Room" is his medical office. Dr. Giving's practice may include a variety of mostly female medicine as practiced in America, in the 1880's but here we only see him providing one service. He treats mostly women, and on rare occasion men for hysteria. Note that the word hysteria is from a Greek root meaning uterus. At this time a new machine, called the vibrator had been introduced for the purpose of treating female hysteria by inducing a paroxysm. There was, in America, at that time no medical notion of a female orgasm. And so Dr. Givings uses vibrators on women, and one man to relive their medical symptoms. He seems to have the notion that this treatment, improperly applied is onanism (masturbation also a huge evil at this time) however he never connects his treatment with anything sexual. Over time Mrs. Givings tries to understand what is happening in The Next Room and to come to terms with her need for romance and sex. There is humor here in the form of the women, not realizing just what they are experiencing. There is humor in the "vibrator play" that take place in "the other room". There is an especially humorous moment when the women, confronted with the idea that these paroxysm, can be achieved during married sex and they are horrified! That sex should be pleasurable is not even imaginable.. "my husband is so considerate he only comes into my room when I am nearly asleep and tells me not to look" At it's core this is a play about the thin line between ignorance and innocence. The women are innocent of their sexuality. One is a lesbian and has no way to understand or cope with this. The possibility of sex as both pleasure and an animal experience has no language among the cast. Dr. Givings seems to be ignorant of what he is doing, although he knows he is making people better. While he has a romantic side he has totally suppressed it in favor of what his machines can do. Should you get this book? I am glad that I had read it before going to a production. I liked reading it more, in part, because the live performance, made live the text and I did not have to worry over the occasional missed word. Some do not like a pre-event read because of the spoiler effect. If you are good at reading a play and seeing the performance in your minds eye. You should enjoy this text. There is humor here, there is legitimate history and a deep appreciation of humanity. I had not understood why this was a prize winning play, and then I saw it and now I 'get it". Likely it was my fault that the text seemed a bland read. If you are a more imaginative reader you may be glad that you read it.
M**.
Fun, witty read!
Funny and really lets you peak into the view of a woman's sexuality during this time period. I laughed out loud multiple times during this. Would be a joy to see on stage one day!
J**N
This is a beautiful and fascinating play about the nature of intimacy
This is a beautiful and fascinating play about the nature of intimacy, set in a bizarre period in history when women were treated by physicians with a vibrator for a medical condition called "hysteria" that did not actually exist. Must read, must see, must produce!
A**Y
Beautifully written play
There's a reason this play was nominated for the Pulitzer. The writing is beautiful, the characters rich, the story moving. Well worth the read.
M**G
Must read
Sara’s one of my favorite writers. This piece did not disappoint.
M**Y
Beautifully touching play!
Pleasently surprised with this play! Well developed characters with a beautiful subplot. Interesting historical medical use of a machine that has changed how today's culture approaches sex and intimacy.
S**E
Interessantes Stück!
Habe dieses Stück in einem meiner Uni Seminare gelesen und fand es sehr interessant. Ungewöhnliche Thematik, aber eine gelungene Abwechslung zur sonstigen Universitätslektüre.
A**A
5*
Absolutely love this play
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