

Product Description Certified at 10 million units by the RIAA. (2/01) desertcart.com Take one part Ramones, one part Buzzcocks, and one part Husker Du, and you've got the basic foundation of Green Day, a punky, witty, melodic San Francisco Bay area trio who became overnight stars in 1994 when this album, their third overall release and major label debut, catapulted them to the top of the pop charts. Led by guitarist/vocalist Billie Joe Armstrong and their secret weapon, powerhouse drummer Tre Cool, Green Day put '70s and '80s punk in a compact '90s package with songs like "Longview," "Basket Case," "Pulling Teeth," and the hit semi-ballad, "When I Come Around." One the few modern alternative rock bands with a bona fide sense of humor. --Billy Altman Review: #193 On Rolling Stone's 500 Greatest Albums of All Time - Green Day, originally named Sweet Children, formed in the late eighties as a musical outlet for Billie Joe Armstrong and Mike Dirnt, who eventually moved into Billie's family's house. They eventual put out two albums, 1,039/Smoothed Out Slappy Hour and Kerplunk. Following the release of Kerplunk, Green Day had become very popular in the underground music scene, eventually playing across the United States, and even Europe. During the tour, though, their original drummer had quit, and they soon acquired Tre Cool as their drummer, who has been their drummer ever since. Once some major-labels had heard Green Day, a bidding war began. Eventually, they signed with Reprise Records, and went in the studio to record their major-label debut, Dookie. Dookie spawned major hits such as "Longview," "Basket Case," et cetera. and has sold in excess of 10 million records to this day, though they lost credibility with the elitist punks. Dookie is considered alongside albums like Nevermind and Weezer (The Blue Album) as being a huge influence on modern rock after its release. Ironically, Dookie was released the year of Kurt Cobain's apparent suicide. The album rarely lets up on the gas pedal, driving through each song with the band banging the crap out of their instruments. One thing that is apparent as soon as the first song, "Burnout" begins, is that the album is one huge wall of sound, similar to Weezer's first album. Billie Joe's songwriting has also grown by leaps in bounds, although they are mainly about the same topics as previous Green Day albums. He crafts huge melodies and hooks that will (usually) keep you listening to the album. Another thing that is very easy to tell is that Mike Dirnt's bass playing is almost always audible. He crafts melodic and catchy bass lines, but they also have a groove to them, as in "Longview," which contains one of my favorite bass lines of all time. Tre Cool's drumming is also top notch. He constantly keeps the pace, but at times will throw in fills to spice things up, and the near-drum solos in "Burnout" are great, as is the tom-pounding in "Longview". The songs themselves are almost all straight forward and catchy, but also self-depricating and sarcastic, as anyone would expect from a punk record. "Basket Case" is a perfect example of this. The song dictates a story in which the character puts himself down, and goes to a shrink and a whore to consult him with his problems, and accounts for a very humorous song. "She" also sports a deceptively simple bass line, with a perfectly fitting drum beat accompanying it. The song eventually becomes a huge wall of sound, as the others, and contains one of the best choruses on the album. "Pulling Teeth" is probably the most out-right melodic song, with arpeggiated chords, and one of the best vocal melodys on the album. It even contains what you could call a solo, at least for Green Day. It is apparently about Mike Dirnt's girlfriend accidentally pushing him down the stairs, resulting in an injuring. Definate highlight of the album. Dookie, though, is nowhere near perfect, as most punk albums tend to be, sadly. Songs like "Sassafras Roots" are extremely annoying and repetitive and really put the rest of the album. Indeed, "Sassafra Roots" repeats the same line after each other line, and seems more like filler than anything else. "Coming Clean" is also a rather boring song, and the whole sound of the song seems to be fairly weak compared to the rest of the album. Not exactly a bad song, but nowhere near as good as the rest of the album. The "mom and dad" references definitely ruined it for me. "In the End," although a fast, upbeat song, is a little boring also. The rhythm of the words are very pleasing, and the chorus is very well written, but really doesn't redeem the song from the verses. They do throw in a little variety near the end, which helps it out a little more. "F.O.D" is the best song of the last six. It is a half acoustic, half electric song, about a rather "explosive" relationshio (har har..). The song is very well written, and show's Billie's ability to add some variety into music, which he has shown more and more since the release. The guitar tone is to drool for, and is the hugest in the album. There is a hidden track called "All By Myself" that is very funny. Ace. Dookie is a milestone of pop-punk, ranking near the top of the best pop-punk albums ever. Although there are some duds, the rest of the album seems to redeem it, and is a very rewarding listen. For this reason, the album is definitely not a 5/5, but more of a 4/5. I definitely think that fans of almost all music should at least try and listen to this album, but I'm sure that people who do not like pop-punk will really enjoy Dookie too much. Review: One of the greatest punk rock albums of all time. - This should absolutely be in your music collection. Very nostalgic, catchy tunes for those of us who lived through that time period. The songs still hold up all these years later! Most all of the early Green Day albums are great, but Dookie holds a special place within the 90's music scene.

















| ASIN | B000002MP2 |
| Best Sellers Rank | #579 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #66 in Alternative Rock (CDs & Vinyl) |
| Customer Reviews | 4.8 4.8 out of 5 stars (4,840) |
| Date First Available | December 15, 2006 |
| Is Discontinued By Manufacturer | No |
| Item model number | 2030748 |
| Label | Reprise |
| Language | English |
| Manufacturer | Reprise |
| Number of discs | 1 |
| Original Release Date | 1994 |
| Product Dimensions | 5.63 x 4.8 x 0.39 inches; 3.53 ounces |
| SPARS Code | DDD |
C**E
#193 On Rolling Stone's 500 Greatest Albums of All Time
Green Day, originally named Sweet Children, formed in the late eighties as a musical outlet for Billie Joe Armstrong and Mike Dirnt, who eventually moved into Billie's family's house. They eventual put out two albums, 1,039/Smoothed Out Slappy Hour and Kerplunk. Following the release of Kerplunk, Green Day had become very popular in the underground music scene, eventually playing across the United States, and even Europe. During the tour, though, their original drummer had quit, and they soon acquired Tre Cool as their drummer, who has been their drummer ever since. Once some major-labels had heard Green Day, a bidding war began. Eventually, they signed with Reprise Records, and went in the studio to record their major-label debut, Dookie. Dookie spawned major hits such as "Longview," "Basket Case," et cetera. and has sold in excess of 10 million records to this day, though they lost credibility with the elitist punks. Dookie is considered alongside albums like Nevermind and Weezer (The Blue Album) as being a huge influence on modern rock after its release. Ironically, Dookie was released the year of Kurt Cobain's apparent suicide. The album rarely lets up on the gas pedal, driving through each song with the band banging the crap out of their instruments. One thing that is apparent as soon as the first song, "Burnout" begins, is that the album is one huge wall of sound, similar to Weezer's first album. Billie Joe's songwriting has also grown by leaps in bounds, although they are mainly about the same topics as previous Green Day albums. He crafts huge melodies and hooks that will (usually) keep you listening to the album. Another thing that is very easy to tell is that Mike Dirnt's bass playing is almost always audible. He crafts melodic and catchy bass lines, but they also have a groove to them, as in "Longview," which contains one of my favorite bass lines of all time. Tre Cool's drumming is also top notch. He constantly keeps the pace, but at times will throw in fills to spice things up, and the near-drum solos in "Burnout" are great, as is the tom-pounding in "Longview". The songs themselves are almost all straight forward and catchy, but also self-depricating and sarcastic, as anyone would expect from a punk record. "Basket Case" is a perfect example of this. The song dictates a story in which the character puts himself down, and goes to a shrink and a whore to consult him with his problems, and accounts for a very humorous song. "She" also sports a deceptively simple bass line, with a perfectly fitting drum beat accompanying it. The song eventually becomes a huge wall of sound, as the others, and contains one of the best choruses on the album. "Pulling Teeth" is probably the most out-right melodic song, with arpeggiated chords, and one of the best vocal melodys on the album. It even contains what you could call a solo, at least for Green Day. It is apparently about Mike Dirnt's girlfriend accidentally pushing him down the stairs, resulting in an injuring. Definate highlight of the album. Dookie, though, is nowhere near perfect, as most punk albums tend to be, sadly. Songs like "Sassafras Roots" are extremely annoying and repetitive and really put the rest of the album. Indeed, "Sassafra Roots" repeats the same line after each other line, and seems more like filler than anything else. "Coming Clean" is also a rather boring song, and the whole sound of the song seems to be fairly weak compared to the rest of the album. Not exactly a bad song, but nowhere near as good as the rest of the album. The "mom and dad" references definitely ruined it for me. "In the End," although a fast, upbeat song, is a little boring also. The rhythm of the words are very pleasing, and the chorus is very well written, but really doesn't redeem the song from the verses. They do throw in a little variety near the end, which helps it out a little more. "F.O.D" is the best song of the last six. It is a half acoustic, half electric song, about a rather "explosive" relationshio (har har..). The song is very well written, and show's Billie's ability to add some variety into music, which he has shown more and more since the release. The guitar tone is to drool for, and is the hugest in the album. There is a hidden track called "All By Myself" that is very funny. Ace. Dookie is a milestone of pop-punk, ranking near the top of the best pop-punk albums ever. Although there are some duds, the rest of the album seems to redeem it, and is a very rewarding listen. For this reason, the album is definitely not a 5/5, but more of a 4/5. I definitely think that fans of almost all music should at least try and listen to this album, but I'm sure that people who do not like pop-punk will really enjoy Dookie too much.
M**4
One of the greatest punk rock albums of all time.
This should absolutely be in your music collection. Very nostalgic, catchy tunes for those of us who lived through that time period. The songs still hold up all these years later! Most all of the early Green Day albums are great, but Dookie holds a special place within the 90's music scene.
S**E
Best Album of the 90's, Period...
I saw the video for "Basket Case" on MTV in 1994, when I was 17, and I was instantly hooked. I went out and bought the CD and ended up loving every song on the CD. This is one of the very few albums I have listened to(and I have listened to a lot) where every song is good or great. Many other albums have one to a few good songs. This album you can play straight through and love it all. I listened to the CD several times, everyday, for at least a year. My favorite songs are "Sassafras Roots", "Longview", "Basket Case", "Welcome to Paradise", and "When I Come Around". I probably purchased at least 5 copies, since I scratched the hell out of them, playing them so much. The songs all have kind of the same sound, with the same few chords played over and over, in different patterns. Fast and furious drum beats accompany the simple, yet addictive, guitar riffs. A lot of Green Day haters criticized this chaotic "noise", but that's punk for you. There's something about the sound that is addictive, like a drug. Most of it is upbeat and energetic, while still appealing to rebellious teenagers with the lyrics. It makes you feel somewhat "euphoric", at least it made me feel that way, back in the day and still does. The effect is similar to listen to early, upbeat Beatles' songs. I was disappointed with Green Day's albums after "Dookie", until " American Idiot " was released, approximately a decade later. I had not listened to Green Day in years, but loved the new, different, sound of Green Day. It started a Green Day renaissance and I had to listen to "Dookie" again and I re-discovered how great the album is. I don't like it as much as when I was a teenager, but it passes the test of time and I still enjoy listening to it. Any teenager out there should check out this album. Many adults may enjoy it too. I miss the days when I blasted this album through my car's speakers, repeatedly. Check out these other Green Day Albums: Kerplunk, American Idiot and 1,039/Smoothed Out Slappy Hours too.
K**E
Play on buying more
Felt like I was in a movie listening g to this while driving
N**S
Great album from first to last song
One of the best albums of the 90s
T**B
Green Day's major label debut rocks hard
Green Day's third album, more melodic than Kerplunk but still hard rocking. I still play it 30+ years later.
J**S
Cumple con las especificaciones de la plataforma.
R**E
Nostalgia
Nostalgia an endless playback from beginning to end will never get old.
C**A
Verdadeiro clássico dos anos 90, que curti desde que ganhei o cd na época, um disco indispensável de conhecer e obrigatório num coleção e agora em vinil com a qualidade incomparável de áudio numa edição bem legal
S**K
Number 1...!! Best Album amongst all in my opinion. Worth every minute of your hearing. Co-relate lyrics to understand it.. Superbly written.. for their age. Go for it. You’ll certainly not be disappointed. Cheers
J**N
Dookie en vinilo de 180 gramos suena espectacular, con una nitidez y potencia que hacen justicia a este clásico del punk rock de los 90. La energía inagotable de Green Day, desde Basket Case hasta When I Come Around, se transmite con toda su fuerza y frescura gracias a un prensado de alta calidad. El vinilo pesado garantiza durabilidad y un sonido cálido que mejora la experiencia auditiva. Una pieza esencial para coleccionistas y amantes del punk.
P**D
One of the best albums of the 1990s. I had it on tape in 1994 and nearly wore out the cassette player in my first car with it playing constantly. Now, it's great to own it on vinyl.
T**Y
All good
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