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STARSHIP TROOPERS charts the lives of elite members of the Mobile Infantry, a corps of dedicated young men and women soldiers fighting side-by-side in the ultimate intergalactic war... the battle to save humankind. The enemy is mysterious and incredibly powerful with only one mission: survival of their species no matter what the human cost. Review: A bug’s life - Picture this: you invite someone into your home for dinner, and instead of being gracious, they spend the entire evening openly insulting you. They mock your cooking, laugh at your choice of furnishings, deride your values, all while helping themselves to your booze. I’m sure we can all agree that that’s no ones idea of a good time, and yet that is almost exactly what Dutch director Paul Verhoeven did back in 1997 when he directed Starship Troopers. Perhaps that goes someway to explaining why the film was almost universally panned by US critics of the day, whom to a man refused to acknowledge the film’s explicitly satirical execution and, in the critical equivalent of who smelt it dealt it, instead decided to accuse Verhoeven of making a piece of fascist propaganda. But while the movie’s reputation in the US remains in the gutter, everywhere else in the world this film is seen as a classic, with many considering it to be Verhoeven’s most accomplished American film: it’s more polished than Robocop, not as silly as Hollow Man or Total Recall, nor as vapid as Basic Instinct or Showgirls. Plus the satire is razor sharp. The story is fairly simple: in the distant future, some space Mormons from a now fascist America set up a mission on an Alien planet. The Aliens, construing the outpost as an advance on their home world, retaliate by massacring the Mormons and firing asteroids on earth. Meanwhile in a colonized Argentina, Barbie and Ken are graduating high school where they’ve been educated on a diet of nazi propaganda by the maimed and limbless survivors of some previous, unmentioned conflict. Barbie makes plans to enlist as it’s the only pathway to citizenship and by extension access to higher education or the right to start a family, while idealist Ken follows her for more goofy teen reasons. When an Alien asteroid strikes their city and obliterates their Dreamhouses, Barbie and Ken slowly lose whatever modicum of humanity they had and turn into space nazis. It’s the age old story. From the opening scenes -a shot for shot recreation of Leni Riefenstahl’s work in Triumph of the Will disguised as a mock PSA for army recruitment- through to the astonishingly fascist civics lesson where we’re introduced to our protagonists and their world, Verhoeven’s intentions are clear. By placing the action in a post liberal, right wing dystopia, he avoids the lecturing preachiness of It Happened Here, and focuses his attention squarely on showing us just how merciless and horrifying such a dystopia would be. Concepts like social justice, personal liberty, even love are dismissed in favour of the becoming a citizen: a person who is willing to sacrifice anything -including their life- for the preservation of the body politic. To those unsure which side of the argument Verhoeven himself lands on, he draws a direct parallel between that ideology and the mindless obedience of the icky arachnids, a trait which as far as Rue McClanahan’s scarred biology teacher is concerned, trumps our individualism and superior intellect, and which makes them superior to us. But Verhoeven knows that fascism cannot take hold without the approval -however tacit- of the broader population, so he cannily utilizes the template of the hyper militarized action films of the day, using the audience’s hunger for that type of violent wish fulfillment to point the finger at us. What the critics of the day called propaganda, is actually an indictment on our complicity in the seemingly inexorable march towards totalitarianism. Sure, he thumbs the scale by making the alien arachnids some of the most frightening, least sympathetic antagonists ever committed to film, but by hiding the origins of the conflict in a flawless takedown of the type jingoistic news reporting de rigueur on American networks, he’s encouraging us to look at how easy it is to manipulate us. And funny as it is watching a wild-eyed and hysterical Donna Reed type encouraging her kids to squish bugs, Verhoeven is asking us to recognize that by priming people from birth to accept the use of force as some sort of virtue, it’s all too easy to convince people that war and its attendant atrocities are justified and justifiable. The human wreckage this ideology has wrought is seen everywhere, from Micheal Ironside’s missing arm and Rue McClanahan’s disfigured face, to a quadriplegic recruitment officer unironically exclaiming that “the mobile infantry made me the man I am today” Verhoeven is asking us to question how we’re being manipulated, because pursuing this type of ideology is like wielding a knife without a hilt- just as likely to hurt you as it is your enemy. But this is a Paul Verhoeven movie, so all this satire is dressed up in some of the most exciting and explicitly violent action ever put in a mainstream Hollywood movie. The grotesque and terrifying effects by legendary effects artist Phil Tippit (who’s work includes the Raptors in JP and the AT-AT walkers in ESB) are astonishing even by today’s standards, and would give any modern MCU cartoon a run for their money. This truly is a fantastic film, get it in the best format you can and strap in, it’s one hell of a ride! Review: TWO THUMBS WAY UP! - this movie is great. all the actors portray their parts perfectly; casting really nailed it. casper van dien plays johnny ricco the football playing jock helplessly in love with his girlfriend carmen played by denise richards who isn't quite as head over heels about him and then we have dizzy played by dina meyer who is head over heels about johnny but johnny doesn't quite feel that way about her. neil patrick harris plays johnny and carmen's classmate and buddy they even make a pact to remain friends after they sign up for military service which ultimately makes one eligible to become a "citizen". being a citizen gives members special rights and privileges in johnny and carmen's world. in truth johnny only joins up because carmen did and he regrets his choice after a battlefield training mission goes way bad. i like this movie more and more every time i watch it, it has surprisingly good CGI effects for the time. the action sequences are great, the story is great. jake busey puts in a good performance as ace, johnny's new friend in boot camp. clancy brown who plays sgt zim the hardcase drill sergeant nails his part. one final mention, michael ironside plays mr. rasczak, johnny's high school teacher and later troop leader who gives him some life advice before meeting his fate at the hands of the bugs. the director paul verhoeven states that this was sposed to be a satire of the fascist, military ruled world of starship troopers but if this so-called "fascist" world is bad, what kind of world would be "good"? watch this, you'll thank me.

| Contributor | Alan Marshall, Casper Van Dien, Clancy Brown, Denise Richards, Dina Meyer, Jake Busey, Jon Davison, Michael Ironside, Neil Patrick Harris, Paul Verhoeven Contributor Alan Marshall, Casper Van Dien, Clancy Brown, Denise Richards, Dina Meyer, Jake Busey, Jon Davison, Michael Ironside, Neil Patrick Harris, Paul Verhoeven See more |
| Customer Reviews | 4.7 out of 5 stars 11,729 Reviews |
| Format | Blu-ray |
| Genre | Action, Adventure, Sci-Fi |
| Initial release date | 1997-11-07 |
| Language | English |
P**S
A bug’s life
Picture this: you invite someone into your home for dinner, and instead of being gracious, they spend the entire evening openly insulting you. They mock your cooking, laugh at your choice of furnishings, deride your values, all while helping themselves to your booze. I’m sure we can all agree that that’s no ones idea of a good time, and yet that is almost exactly what Dutch director Paul Verhoeven did back in 1997 when he directed Starship Troopers. Perhaps that goes someway to explaining why the film was almost universally panned by US critics of the day, whom to a man refused to acknowledge the film’s explicitly satirical execution and, in the critical equivalent of who smelt it dealt it, instead decided to accuse Verhoeven of making a piece of fascist propaganda. But while the movie’s reputation in the US remains in the gutter, everywhere else in the world this film is seen as a classic, with many considering it to be Verhoeven’s most accomplished American film: it’s more polished than Robocop, not as silly as Hollow Man or Total Recall, nor as vapid as Basic Instinct or Showgirls. Plus the satire is razor sharp. The story is fairly simple: in the distant future, some space Mormons from a now fascist America set up a mission on an Alien planet. The Aliens, construing the outpost as an advance on their home world, retaliate by massacring the Mormons and firing asteroids on earth. Meanwhile in a colonized Argentina, Barbie and Ken are graduating high school where they’ve been educated on a diet of nazi propaganda by the maimed and limbless survivors of some previous, unmentioned conflict. Barbie makes plans to enlist as it’s the only pathway to citizenship and by extension access to higher education or the right to start a family, while idealist Ken follows her for more goofy teen reasons. When an Alien asteroid strikes their city and obliterates their Dreamhouses, Barbie and Ken slowly lose whatever modicum of humanity they had and turn into space nazis. It’s the age old story. From the opening scenes -a shot for shot recreation of Leni Riefenstahl’s work in Triumph of the Will disguised as a mock PSA for army recruitment- through to the astonishingly fascist civics lesson where we’re introduced to our protagonists and their world, Verhoeven’s intentions are clear. By placing the action in a post liberal, right wing dystopia, he avoids the lecturing preachiness of It Happened Here, and focuses his attention squarely on showing us just how merciless and horrifying such a dystopia would be. Concepts like social justice, personal liberty, even love are dismissed in favour of the becoming a citizen: a person who is willing to sacrifice anything -including their life- for the preservation of the body politic. To those unsure which side of the argument Verhoeven himself lands on, he draws a direct parallel between that ideology and the mindless obedience of the icky arachnids, a trait which as far as Rue McClanahan’s scarred biology teacher is concerned, trumps our individualism and superior intellect, and which makes them superior to us. But Verhoeven knows that fascism cannot take hold without the approval -however tacit- of the broader population, so he cannily utilizes the template of the hyper militarized action films of the day, using the audience’s hunger for that type of violent wish fulfillment to point the finger at us. What the critics of the day called propaganda, is actually an indictment on our complicity in the seemingly inexorable march towards totalitarianism. Sure, he thumbs the scale by making the alien arachnids some of the most frightening, least sympathetic antagonists ever committed to film, but by hiding the origins of the conflict in a flawless takedown of the type jingoistic news reporting de rigueur on American networks, he’s encouraging us to look at how easy it is to manipulate us. And funny as it is watching a wild-eyed and hysterical Donna Reed type encouraging her kids to squish bugs, Verhoeven is asking us to recognize that by priming people from birth to accept the use of force as some sort of virtue, it’s all too easy to convince people that war and its attendant atrocities are justified and justifiable. The human wreckage this ideology has wrought is seen everywhere, from Micheal Ironside’s missing arm and Rue McClanahan’s disfigured face, to a quadriplegic recruitment officer unironically exclaiming that “the mobile infantry made me the man I am today” Verhoeven is asking us to question how we’re being manipulated, because pursuing this type of ideology is like wielding a knife without a hilt- just as likely to hurt you as it is your enemy. But this is a Paul Verhoeven movie, so all this satire is dressed up in some of the most exciting and explicitly violent action ever put in a mainstream Hollywood movie. The grotesque and terrifying effects by legendary effects artist Phil Tippit (who’s work includes the Raptors in JP and the AT-AT walkers in ESB) are astonishing even by today’s standards, and would give any modern MCU cartoon a run for their money. This truly is a fantastic film, get it in the best format you can and strap in, it’s one hell of a ride!
S**N
TWO THUMBS WAY UP!
this movie is great. all the actors portray their parts perfectly; casting really nailed it. casper van dien plays johnny ricco the football playing jock helplessly in love with his girlfriend carmen played by denise richards who isn't quite as head over heels about him and then we have dizzy played by dina meyer who is head over heels about johnny but johnny doesn't quite feel that way about her. neil patrick harris plays johnny and carmen's classmate and buddy they even make a pact to remain friends after they sign up for military service which ultimately makes one eligible to become a "citizen". being a citizen gives members special rights and privileges in johnny and carmen's world. in truth johnny only joins up because carmen did and he regrets his choice after a battlefield training mission goes way bad. i like this movie more and more every time i watch it, it has surprisingly good CGI effects for the time. the action sequences are great, the story is great. jake busey puts in a good performance as ace, johnny's new friend in boot camp. clancy brown who plays sgt zim the hardcase drill sergeant nails his part. one final mention, michael ironside plays mr. rasczak, johnny's high school teacher and later troop leader who gives him some life advice before meeting his fate at the hands of the bugs. the director paul verhoeven states that this was sposed to be a satire of the fascist, military ruled world of starship troopers but if this so-called "fascist" world is bad, what kind of world would be "good"? watch this, you'll thank me.
L**E
Figuring things out for yourself is practically the only freedom anyone really has nowadays. Use that freedom.
What is fascism? It’s not just Nazis, for the real base of fascism is corporate control of all aspects of social, public, and political life. How do we think the Reich managed their nefarious program (progrom) so well? Some corporation had to build the trains, weld the gates, provide the chemical development of Zyklon B. Hell, the mechanism the Nazis used to keep track of the fodder for their heinous death-machine was built and managed by IBM. Fascism is characterized as: Powerful and Continuing Nationalism Fascist regimes tend to make constant use of patriotic mottos, slogans, symbols, songs, and other paraphernalia. Flags are seen everywhere, as are flag symbols on clothing and in public displays. Disdain for the Recognition of Human Rights Because of fear of enemies and the need for security, the people in fascist regimes are persuaded that human rights can be ignored in certain cases because of “need.” The people tend to look the other way or even approve of torture, summary executions, assassinations, and long incarcerations of prisoners. Identification of Enemies/Scapegoats as a Unifying Cause The people are rallied into a unifying patriotic frenzy over the need to eliminate a perceived common threat or foe: racial , ethnic or religious minorities; liberals; communists; socialists, terrorists… Supremacy of the Military Even when there are widespread domestic problems, the military is given a disproportionate amount of government funding, and the domestic agenda is neglected. Soldiers and military service are glamorized. …… Controlled Mass Media Sometimes the media is directly controlled by the government, but in other cases, the media is indirectly controlled by government regulation or by sympathetic media spokespeople and executives. Government censorship and secrecy, especially in war time, are very common. Obsession with National Security Fear of hostile foreign powers is used as a motivational tool by the government over the masses. ……. Protection of Corporate Power The industrial and business aristocracy of a fascist nation often are the ones who put the government leaders into power, creating a mutually beneficial business/government relationship and power elite. Suppression of Labor Power Because the organizing power of labor is the only real threat to a fascist government, labor unions are either eliminated entirely, or are severely suppressed . Disdain for Intellectuals and the Arts Fascist nations tend to promote and tolerate open hostility to higher education and academia. It is not uncommon for professors and other academics to be censored or even arrested. Free expression in the arts is openly attacked, and governments often refuse to fund the arts. Obsession with Crime and Punishment Under fascist regimes, the police are given almost limitless power to enforce laws. The people are often willing to overlook police abuses and even forego civil liberties in the name of patriotism. There is often a national police force with virtually unlimited power in fascist nations. Perhaps this puts Starship Troopers in another perspective. Sure, it’s corny, it’s parodic, it has awesome special effects and models and matte shot that are truly well-done for its era, advanced for 1997. But Verhoeven was making an incisive commentary on how society can easily throw away its little freedoms for the specter of “safety and security.” Verhoeven commented on his approach to the movie in January, 2018 : “Robert Heinlein's original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren't aware of their fascism... I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl's films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda... Don’t expect this movie to be at all like Heinlein’s book — there are no jump suits nor many of the tropes RH resorts to in many of his books. There is an incisive commentary on how Nazi-like states arrive and insinuate themselves into citizens, or those who want to be citizens. Or, you can just watch this movie for fun, because, “The only good bug is a dead bug.”
J**S
WWII style uber patriotism & propaganda, Evil Giant Space bugs, tragedy, love & loss
This is a great cult classic that has it all. It wasn't so well received at the box office and the critics hated it. But then what do the critics know anyways. Casper Van Dien, Dina Meyer, Denise Richards, Jake Busey, Neil Patrick Harris, Clancy Brown, Patrick Muldoon, Micheal Iron Side, Dean Norris, & Marshall Bell. All round out a well-balanced cast in this Syfy coming of age war film. With uber Patriotism and WWII styled neo-fascist propaganda in an over the internet linked in "Would you like to know more?" kind of way. In a Federalist near Fascist overbearing government where military service guarantees Citizenship. In a world where Citizens have rights and not everyone is a citizen. A world at war with giant evil bugs that are trying to eradicate humanity while we're trying to do the same to them. It follows a group of highschoolers in Buenos Aires starting just before graduation. Then following them to military bootcamp training, through their personal trials; the end of a romance for the main character Johnny Rico (Casper Van Dien) as Carman Ibanez (Dennis Richards) now a fleet pilot sends Johnny a futuristic dear John letter. Then more tragedy as their hometown is destroyed by a meteorite sent by the bugs. Then off to war were Johnny Rico and his school friend and want to be love interest Dizzy Flores (Dina Meyer) fight in a failed invasion of the Bugs home planet. Johnny is badly wounded, and incorrectly listed as Killed In Action. Which is seen on a casualty board by Carmen, who feels saddened by Rico's death. But Jonny and Dizzy along with bootcamp chum Ace Levy (Jake Busey) are reassigned to a group of troopers called the "Rough Necks" headed by Dizzy & Ricos old schoolteacher Jean Rasczak (Micheal Ironside) Things seem to be looking up for the friends even with the war on. Johnny gets promoted to Corporal, Dizzy to Squad Leader. Dizzy & Johnny finally get to be a romantic pair and fall for the first time mutually in love with each other. A notion their Lieutenant rather comically supports in one scene. Just before they are all sent on an ill-fated rescue mission to "Whiskey Outpost" on planet "P" where they find all but a lone surviving General Owen (Marshall Bell) a little out of his head, after all others in the Outpost had been killed. The outpost is surrounded, and the Rough Necks are forced to defend an untenable position against vastly superior enemy forces. While awaiting an Evac shuttle to come get them out. During the battle many of the Rough Necks are killed. Including Lt. Rasczak who is crippled with both of his legs ripped off, he gives Rico a final order to shot him and end it. Rico in the presence of Dizzy unhappily follows orders. A large assault bug called a "Tanker" breaches the outpost and is stopped by Dizzy who literally throws a live grenade into the creatures open jaws. A second later Its head explodes, and Dizzy and others let out howls of triumph. The moment is short lived as an instant later Dizzy is directly attacked by one of the arachnids. It stabs its pointed appendages through her body several times before Rico and the others can come to her rescue. They kill the bug and carry a mortally wounded Dizzy into the shuttle and lift off, as the Bugs are swarming over the outpost. A couple moments later with final declarations of love. Dizzy dies on the escape shuttle in Johnnys arms. Later just after Dizzy's funeral, attended by the Rough Necks, Dizzy and Johnnys old school friends Colonel Carl Jenkins (Neil Patrick Harris) & Lt. Carmen Ibanez (Denise Richards) Johnny Rico is promoted to the new Lieutenant in charge of the Rough Necks. They Go back to planet "P" with a much larger invasion force. Where they defeat the Bugs capturing a "Brain Bug" a form of thinking bug that is the leadership cast of the bugs. It's the start of the end of the bugs and it's all due to Johnny and Dizzy's former Sr. Drill Instructor named Sergeant Charlie Zim. "WOULD YOU LIKE TO KNOW MORE?"
R**.
If you own a Sony BluRay Player, Please Read-
There are countless complaints that this film does not work on many Sony BD players. After alot of searching on the net, here is what I've found: this movie has an authoring problem with the BD-Live function on the disc. It tries to access BD-Live, but there is a glitch in that the player mistakes the amount of memory of the player, and gets stuck in a loop. The disc status bar appears, fills up, and the screen goes black, and nothing happens. The workaround: Connect a blank 1+GB flash memory stick in the unit's REAR USB port. Press play. The movie will work. I had this problem, I tried this solution. It works. I do find it kindof aggravating that Sony hasn't done a better job (or ANY job) addressing this issue. This is probably due to the lack of popularity of the title. Starship Troopers remains something of a niche cult title, so maybe they didn't think it was important that many people have returned it. It's sad how big companies can have departments in the same field, working on the same things, but not communicating with one another.. As for the disc: This is a terrific looking hi-def transfer, though there is some detail hotness that appears during the first Planet P ambush sequence when Rico is in the radio shack, and stays through the rest of the film. It's not a deal-breaker, but it's something I think should be addressed in the future. Otherwise, this is a special effects bonanza that only gets better in hi-def. With the exception of the darker interior scenes, this is some of the best CGI creature work ever committed to film. The 'bugs' have a heaviness and depth to them that came from alot of experimenting with the tech that was available in the late 90s. This film created alot of the techniques that are used now. It is something of a watershed in that. Otherwise, what to say about this film? Starship Troopers is a glossy, tongue-in-cheek love triangle teen soap opera set in a future ultra-fascist military state during a war with an aggressive and repellent alien insect species. The action is over the top, extremely violent, yet it's so full of itself and it's own bombast, it's hard not to like. There is no deep message, no award winning acting. It is a propaganda movie of the highest cynicism, portraying war as all, and silently saying 'yeah, you love it, don't you?' It's not hard to see why this movie failed so miserably at the box office, yet lives on as a cult film. It is, if nothing else, pure entertainment, and has a few moments that are easily some of the most visually iconic of sci-fi movies of the past 20 years.
J**S
Looks amazing
Awesome art for one of the best movies in the steelbook series
N**Y
Great 4k purchase. Started my buying of media again
This movie has always been such a guilty pleasure. Just a really fun one that brings me back to loving movies again and I realized that I've never owned it except on VHS. This was actually my first 4k purchase while I was just looking for the blu ray when i got this version. Dont own a 4k and realized the xbox was a 4k player so i gave it a shot. This movie looked fantastic with the HDR and some film grain. The 4k upgrade was a huge no brainer and started my buying of physical media again with things that have no permanent home on subscription services. Definitely recommend this purchase if you love this movie.
E**M
Underrated, misunderstood sci-fi classic, hard to find these days
This is the first 4k blu ray I've ever bought, because finding a region 1 standard one is hard to get. I couldn't believe how hard to find a blu-ray copy of this was to find. It's not on any of the free streaming channels (I think Amazon has it for $4). Hopefully, with the renewed interest a re- release is in the cards. I don't know if it's truly fair to call Starship Troopers underrated. It's well known and often beloved. It's highly quotable and meme-able. If you say "I'm doing my part!" or "Would you like to know more? " people get the reference. It didn't do well on release because critics didn't understand what it was. It's a propaganda film in the universe. That's why all the main cast are so attractive and capable. Director Paul Verhoeven makes fascism look heroic and appealing, because that's what a fascist government would put in a military recruitment film. It's also a hell of a lot of fun to watch. Plenty of violence, gore and nudity mixed with dark humor. Heroic soldiers are gruesomely torn to shreds in order to make you, a loyal citizen, angry and terrified of the bug menace. The bugs themselves tend to explode satisfyingly when shot, stabbed and nuked. It's never clear exactly who the bad guys are if you look past the surface message. But that's the point. If you're here because of Helldivers 2, you might be disappointed by the lack of robots, so you might want a copy of The Terminator as well. But since that game takes SO MUCH inspiration from Starship Troopers for its world building, this movie is almost mandatory viewing for managing democracy. If you're a sci-fi fan, a military fan or a subtext fan, this is a great movie for you.
G**E
Le génie de Paul Verhoeven derrière un film d’action culte
Une redécouverte impressionnante en Blu-ray ! L’image est vraiment propre, les effets spéciaux tiennent encore largement la route et les scènes de bataille sont encore plus immersives. Mais ce qui fait toute la force du film, c’est le génie de Paul Verhoeven. Derrière ce qui pourrait passer pour un simple film d’action, il construit en réalité une satire brillante du militarisme et de la propagande. Tout est volontairement exagéré, presque ironique, et pourtant ça fonctionne parfaitement. Plus on regarde le film, plus on comprend à quel point il est intelligent et maîtrisé. Verhoeven réussit à divertir tout en faisant passer un message, sans jamais alourdir le film. C’est ce mélange d’action spectaculaire et de lecture plus profonde qui en fait un classique. Un film culte, puissant et toujours aussi pertinent aujourd’hui. Indispensable en Blu-ray.
A**O
Versión 4k UHD (USA)
Película magistral de Paul Verhoeven. Con una excelente calidad de imagen, aunque en ocasiones aparece el típico grano. El pedido llegó un día antes de lo previsto. Está versión lleva audio en Español latino y subtítulos en Español latino también, pero muy neutros.
S**D
Service guarantees citizenship! 4K
A reference standard transfer. Just own it!
L**S
»Starship Troopers« – Eine düstere Darstellung der Menschheit des Jahres 2197 auf guter Blu-ray Disc
●●●●●●●●●● ALLGEMEINE INFORMATIONEN ●●●●●●●●●● Filmtitel: Starship Troopers Originaltitel: Starship Troopers Regie: Paul Verhoeven Land / Jahr: USA / 1997 Genre: Science-Fiction/Action FSK: 16 Laufzeit: 129 Minuten Hauptdarsteller: Casper Van Dien, Denise Richards, Neil Patrick Harris, Dina Meyer, Patrick Muldoon, Jake Busey ●●●●●●●●●● INFORMATIONEN ZUR BLU-RAY ●●●●●●●●●● Sprachen: Deutsch, Italienisch (DTS 5.1) Deutsch, Englisch, Italienisch, Französisch (Dolby Digital 5.1) Englisch (PCM 5.1) Untertitel: Deutsch, Englisch, Englisch für Hörgeschädigte, Italienisch, Französisch Bildformat: 1.85:1 (16:9) 1080p High Definition Extras: Kinotrailer, Making of, Zusätzliche Szenen, Probeaufnahmen ●●●●●●●●●● IM VERTRIEB VON ●●●●●●●●●● Walt Disney ●●●●●●●●●● DER KAUF ●●●●●●●●●● Ich hatte »Starship Troopers« zunächst um 2000 herum in den USA kennengelernt und mir von dort eine entsprechende DVD mitgebracht. In Deutschland stand der Film jahrelang auf dem Index, sodass ich mich mit der NTSC-Version zufriedengegeben hatte. Als ich ihn dann am 6. Januar 2018 für 14,44 Euro in der ungeschnittenen FSK-16-Version auf Amazon entdeckt hatte, musste ich natürlich zugreifen – trotz des hohen Preises. ●●●●●●●●●● DER FILMINHALT ●●●●●●●●●● Johnny Rico (Casper Van Dien), Carmen Ibanez (Denise Richards) und Carl Jenkins (Neil Patrick Harris) sind Schulfreunde und leben in Buenos Aires in einer weit entfernten Zukunft. Die Erde erholt sich noch von einem Krieg gegen die »Bugs«, eine insektenartige Spezies auf einem Planeten am anderen Ende unserer Galaxie, der dazu geführt hat, dass die Erde seither von einer in Genf ansässigen Föderation regiert wird. Die drei Freunde entschließen sich, sich nach dem Schulabschluss dem Militär anzuschließen. Der aus wohlhabendem Hause stammende Johnny tut dies allerdings primär, um es seiner Freundin Carmen gleichzutun, während Carl sich dort eine Weiterentwicklung seiner telepathischen Fähigkeiten verspricht. Doch auch Johnnys Football-Team-Kollegin Dizzy Flores (Dina Meyer), die insgeheim in ihn verliebt ist, als auch Zander Barcalow (Patrick Muldoon) von einem gegnerischen Team, der ein Auge auf Carmen geworfen hat, schließen sich dem Militär an, als es plötzlich zu einem erneuten Krieg kommt … ●●●●●●●●●● MEINE MEINUNG ZUM FILM ●●●●●●●●●● Paul Verhoeven ist es meiner Meinung nach gelungen, einen Science-Fiction Reißer zu inszenieren, der eine immens große Fangemeinschaft finden dürfte. Schon sieben Jahre zuvor hatte er mit »Die totale Erinnerung – Total Recall« mit Arnold Schwarzenegger und Sharon Stone einen Science-Fiction-Klassiker auf die Kinoleinwand gebracht und bewiesen, was in ihm steckt. Mit »Starship Troopers« ist es ihm meiner Meinung nach gelungen, sowohl die Zuschauer in seinen Bann zu ziehen, die auf brachiale Action stehen als auch jene, die es eher mit tiefgründigen Verfilmungen haben. Denn aus meiner Sicht bietet »Starship Troopers« definitiv beides. Natürlich steht die Schlacht gegen die »Bugs« im Vordergrund, und die teilweise ultrabrutalen Szenen mit Verstümmelungen und zerfetzten Körpern waren mit ein Grund für die jahrelange Indizierung. Doch der Film hat aus meiner Sicht sehr viel mehr zu bieten. Zunächst wird dem Zuschauer auffallen, wie militaristisch alles aufgezogen ist. Der Film beginnt mit einer Art Werbevideo für den föderalen Militärdienst, bei dem die Angehörigen als Heroen bejubelt werden. Dieses Video und ähnliche weitere sieht man während des Films immer wieder. Heldenhafte Soldaten in futuristischen Panzerungen und Uniformen mit riesigen Kanonen und einem gewaltigen Pathos, wie man ihn sonst nur von den USA her kennt. Doch eben diese stehen in Paul Verhoevens Romanverfilmung nicht einmal ansatzweise im Mittelpunkt. Völlig ungewöhnlich ist, dass man den irdischen Handlungsmittelpunkt nach Südamerika verlegt hat. Die Freunde kommen aus Buenos Aires, der Hauptstadt von Argentinien. Hier hat das US-Militär nichts zu melden, und folglich ist »Starship Troopers« auch kein Loblied auf die militärische Überlegenheit der USA – vielmehr nimmt der Film überdeutlich das militärische Gehabe auf die Schippe. In extrem übertriebenem Maß wird sowohl die militärische Ausbildung als auch der spätere Kampfeinsatz gezeigt. Hier ist vor allem der aus »Highlander« bekannte Schauspieler CLANCY BROWN zu erwähnen, der diesmal nicht den Bad Guy spielt, sondern der sich als Ausbilder austoben darf und dabei vor allem auch seine menschliche Seite zeigen darf. CASPER VAN DIEN darf den Helden des Films »Starship Troopers« geben: Johnny Rico, den Star seines Football-Teams und Freund der hübschen Carmen. Der 1968 in Florida geborene Amerikaner mit niederländischen Wurzeln überzeugt in der Rolle des taffen Soldaten, der sich mit Mut und Ehrgeiz auszeichnet und dennoch auch seine verletzliche Seite zeigen darf. Obwohl Casper Van Dien in mehreren Film- und TV-Produktionen zu sehen war, habe ich ihn später lediglich in »Sleepy Hollow« (1999) mit Johnny Depp und Christina Ricci sowie in »Mask of the Ninja« (2008) bewusst wahrgenommen. DENISE RICHARDS spielt Johnny Ricos hübsche Freundin Carmen, die eine militärische Laufbahn als Pilotin anstrebt und alles andere hintenanstellt. Die 1971 in Illinois geborene Amerikanerin hatte zunächst als Model gearbeitet und in »Starship Troopers« ihre erste Hauptrolle erhalten. Den meisten Zuschauern dürfte sie vermutlich in ihrer Rolle als Dr. Christmas Jones in »James Bond 007 – Die Welt ist nicht genug« (1999) an der Seite von Pierce Brosnan bekannt sein. In »Starship Troopers« begeistert sie vor allem durch ihr süßes Aussehen, doch hier darf sie vor allem auch eine Karrierefrau spielen, bei der das Privatleben der beruflichen Entwicklung weichen muss. NEIL PATRICK HARRIS spielt den telepathisch veranlagten Carl Jenkins, Johnnys und Carmens bestem Freund. Er tritt leider vor allem zu Beginn des Films und dann in einigen weiteren Szenen auf, doch eben diese Szenen sind etwas, das den Film auf ganzer Länge auszeichnet. Der 1973 in New Mexico geborene Schauspieler dürfte den meisten Zuschauern vor allem wegen seiner Rolle in der Serie »How I met your Mother« (2005-2014) ein Begriff sein. DINA MEYER ist in der Rolle der taffen Dizzy Flores aus Buenos Aires zu sehen, die mit Johnny Rico zusammen im gleichen Football Team spielt und unheimlich in ihn verliebt ist. In meinen Augen spielt die 1968 in Queens geborene New Yorkerin den wahren Sonnenschein des Films. Attraktiv, sexy, tough und treu – so kann man den Charakter der rothaarigen Amazone vermutlich am besten beschreiben. Bereits zwei Jahre zuvor war Dina Meyer an der Seite von Keanu Reeves in »Vernetzt – Johnny Mnemonic« zu sehen. Später konnte man sie auch in »D-Tox – Im Auge der Angst« (2002) mit Sylvester Stallone und vor allem in den »Saw« Filmen (2004 bis 2007) sehen. PATRICK MULDOON hat das zweifelhafte Vergnügen, den berechnenden Zander Barcalow spielen zu dürfen, der Johnny Rico zunächst auf dem Football Platz zu schaffen macht und sich schließlich gar an seine Freundin heranschmeißt. Der 1968 in Los Angeles geborene Kalifornier hatte bereits vor »Starship Troopers« in diversen TV-Produktionen mitgewirkt, ist mir jedoch nirgends wirklich aufgefallen. Die Rolle des selbstsicheren, arroganten und rücksichtslosen Zander füllt er jedoch hervorragend aus. JAKE BUSEY darf Johnnys Rivalen Ace Levy während der militärischen Grundausbildung spielen, der sich später als wahrer Freund entpuppt. Der 1971 in Los Angeles geborene Kalifornier ist der Sohn des Schauspielers Gary Busey, was man zweifelsohne an seinen Zähnen und an seinem Grinsen erkennen kann. Auch er verkörpert die Rolle des ehrgeizigen Ace Levy völlig überzeugend und ist ansonsten vor allem in TV-Produktionen zu sehen. CLANCY BROWN (»Highlander«), DEAN NORRIS (»Breaking Bad«), ROBERT DAVID HALL (»CSI: Vegas«) und MICHAEL IRONSIDE (»Top Gun«) sind in prominent besetzten Nebenrollen zu sehen, wobei man bei Robert David Hall wirklich zweimal hinsehen muss, um ihn zu erkennen. Wie bereits eingangs erwähnt, ist »Starship Troopers« durchaus ein Spielfilm mit einer gewissen Tiefe und geht weit über das übliche Action-Spektakel hinaus. Paul Verhoeven kritisiert auf anschauliche Art und Weise das militaristische Gehabe, auch wenn er seine Handlung in eine weit entfernte Zukunft verlegt. Gene Roddenberry hatte vor langer Zeit die Idee, dass die Menschheit eines Tages den Weltraum bereisen wird, auch wenn die Reise allein durch unsere Galaxie und mit Warp 9,97 mindestens 75 Jahre lang dauern würde. In Paul Verhoevens »Starship Troopers« werden solche Distanzen binnen kürzester Zeit zurückgelegt. Von den technologischen Errungenschaften unserer im Film gezeigten Zukunft (das Jahr 2197) einmal abgesehen, zeigt Paul Verhoeven jedoch ein düster gezeichnetes Bild vom zukünftigen Leben der Menschheit. So wird im Film – im englischsprachigen Original mehr als in der deutschen Synchronisation – ganz deutlich der Unterschied zwischen »Citizens« (Bürgern) und »Civilians« (Zivilisten) hervorgehoben. Die Gesellschaft der Zeit nach dem ersten großen Krieg gegen die Bugs ist wirklich schon als sehr dystopisch zu betrachten. Als »Citizen« hat man in »Starship Troopers« siele Rechte, darunter auch das Recht, wählen zu dürfen und Kinder in die Welt zu setzen. Als bloßer »Civilian« hat man diese rechte nicht, außer man ist in der Lage, sich finanziell freizukaufen. Dies wird ganz deutlich anhand von Johnnys Eltern beschrieben, die ihn lieber in Harvard denn im Militär sähen. Nur wer im Militär gedient hat, der darf sich später als »Citizen« bezeichnen. Dies geht in der deutschen Synchronisation leider größtenteils unter. Auch erschreckend ist die Darstellung des Militärs der so genannten Föderation. Die Uniformen erinnern doch sehr an die der SS von 1933 bis 1945. Auch die medizinischen Tests und der Fokus auf telepathisch veranlagte Mitmenschen erinnert sehr an die Nazis unter Adolf Hitler und Heinrich Himmler. Entgegen der Werbespots für den Dienst beim Militär (als »Citizen«), bei denen sogar kleine Kinder eine tragende Rolle spielen, wird das Militär selbst im Film immer wieder als extrem brutal und der Dienst für selbiges als zerstörerisch gezeigt. Dies sieht man auf humorvolle Art und Weise in der Szene mit Robert David Hall als Rekrutierungs-Sergeant, als dieser erfährt, dass Johny Rico zur mobilen Infanterie kommen wird (Robert David Hall hatte nach einem Unfall im Jahr 1978 beide Beine amputiert bekommen). »Starship Troopers« ist brutal, »Starship Troopers« ist Action-geladen, »Starship Troopers« ist absolut schonungslos. Doch wenn man den Film genauer betrachtet, bietet er eine Menge Potenzial – und Szenen, über die man nachdenken sollte. ●●●●●●●●●● MEINE MEINUNG ZUR BLU-RAY ●●●●●●●●●● Die Blu-ray steckt in einer typischen Amaray-Hülle, allerdings gibt es kein Wendecover. Die Bild- und Tonqualität sind sehr gut, hier gibt es nichts zu bemängeln. Durch das geringfügig animierte Menü lässt es sich bequem navigieren. Nachdem man die Menüsprache ausgewählt hat, kann man im Hauptmenü aus folgenden Optionen wählen: • Film starten • Sprachauswahl • Extras • Szenenauswahl Die Extras sind sehr interessant, vor allem die zusätzlichen Szenen. Hier gibt es auch eine Szene mit Carmen und Zander, die ein wesentlich konkreteres Licht auf die beiden wirft, als es letztendlich im Film zu sehen ist. Ich finde es schade, dass man diese Szene nicht mit eingebaut hat, da sie doch einiges ein wenig besser verständlich machen würde. ●●●●●●●●●● MEIN FAZIT ●●●●●●●●●● »Starship Troopers« – Eine düstere Darstellung der Menschheit des Jahres 2197 auf guter Blu-ray Disc. Sehr empfehlenswert – nicht nur für Liebhaber von Actionkrachern.
G**.
Prima transactie!
Zoals beschreven en snel verzonden. Goed verpakt.
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