NUX DP-2000 8-Velocity Sensitive Independent Strike Percussion Pad with LED Lights, UI Interactive Interface, Six On-Board Effects, and Wavimport Function

Sound quality is top notch. I have no issues playing on this edrum kit and just so you know. I purchased a second unit. A must for drummers who have no space in their room to play and use a headphone to make it sound as if you're in a concert hall. Again thank you so much for the an outstanding product that surpasses my addiction to drums.

Me arriesgue a ser el primero en comprar este aparato en Mexico y aquí les dejo mi reseña para los que buscan detalles. -Estética 10/10 es uy bonito y con materiales solidos de calidad -Calidad de sonidos 7.5/10 no es la mejor pero si lo configuras bien puedes sacar un sonido decente con los samples de fabrica para usarla como batería portátil o como bongos y cajón peruano, también puedes guardar tus propios sonidos -Funcionalidad 8/10 tiene sus efectos de audio básicos como delay,reverb, eq etc, el click del metrónomo configurable para cada salida y configuración de canal y notas midi out , me hubiera gustado que las notas midi se pudieran guardar por cada preset y no de manera global -Interfaz 10/10 es un menu muy sencillo e intuitivo si eres nuevo con una vez que leas el manual entenderás, si ya tienes experiencia con estos equipos prácticamente no necesitas leer el manual para navegar en los menus -Capacidad de memoria 7/10 si bien no especifica la capacidad de almacenamiento en GB al leer el manual nos dice que cada pad puede guardar hasta 20 segundos de audio en 16 bits y tiene 20 bancos o proyectos lo que nos da un total de 160 clips de 20 segundos lo cual para un principiante es mas que aceptable, pero creo que para un show en vivo usando solo este aparato si se queda algo corto -conectividad y funciones avanzadas 8.5/10 al momento la estoy utilizando en conjunto con un Roland so 404mk2 y a veces con un sintetizador, conectando el NUX dp2000 al Roland sp404 mk2 via midi, tenemos prácticamente un roland SPDsx pro por la mitad de precio, podemos disenar, grabar, loopear, re grabar, hacer secuencias y un montón de cosas mas conectando estos dos aparatos juntos. La probe conectada a la computadora mediante cables midi din y al iPad mediante cables midi din y funciona a la perfección con programas como logic pro, ez drumer, studio one al conectarla directo por usb la dp2000 se queda congelada, pero si la conectas por cable midi din todo bien A simple vista es un drum pad muy bonito y estecito, estaba entre comprar el Alesis durm pad y el avatar drum pad, ambos en rango de precios similares (Alesis mas caro) ambas marcas tienen su modelo de drumpad obsoleto ya con sus años en el mercado y al parecer segun usuarios sin ninguna actualización de firmware. hice mis investigaciones y el NUX dp2000 salio apenas el año pasado al mercado por lo cual es un producto nuevo con posibilidades de mejora en firmware a future, de momento funciona a la perfeccion, como dije esteticamente es muy elegante y sus funciones son muy variadas, yo solo insitiria en la compania NUX a desarrollar una actualizacion de firmware donde pudieramos guardar notas midi por cada patcho proyecto y asi tener una paleta de escalas musicales al alcance de un click Conclusion si estas buscando un drum pad a un buen precio con funciones de prinicpiante nux dp2000 es'para ti. Si estas buscando un drup pad para agregar a tu live set en conjunto con otros aparatos midi o algun daw, Nux dp 2000 es para ti

Excellent pad good quality and Best sound, VST tones ,good sensitivity ,good performance

I’ve spent about a week getting to grips with this multipad. How does it do? Let’s run down the essentials. Build quality: Quite good — the body is aluminum when most others use plastics of varying quality. Pad quality: The pads feel like thin silicone. Rebound is okay, but the pad feel is shallower and harder than on the Alesis, Roland, and Yamaha multipads. The triggering area is also much smaller than the pad surface; there’re multiple dead zones farther from the center of the pad. I suspect this was to eliminate crosstalk, but a larger strike area would’ve been welcome. Sound Quality: FX: The effects chain is intuitive and easy enough to use, but not quite as extensive as I’d like. There’s also not the flexibility to quickly toggle between different types of effects settings, which can be a pain if you’re playing something where your FX needs might change mid-song (or multiple times in a song). The one upshot is, because it’s an electronic kit, you can send your signal through a guitar effects pedal or multi-stomp and have more sound-shaping possibilities at your fingertips (or toes, as the case may be). Sound Quality: Patches: I’d rate the onboard sounds as fair to middling. Kicks and toms are generally the strong suit, with snares and cymbals being weaker links. Some of the non-kit percussion (bongos, opera gongs, and a couple of kits based on the 808 and 909) were surprisingly good, while a couple (like the cajon samples) left me scratching my head. Thanks to MIDI, however, you can play or trigger darn near anything, giving you plenty of options without having to even use the onboard sounds. But there’s a catch, as we’re about to see. Sensitivity: To begin with, sensitivity is set at 100, which is low (settings are on a 0-127 scale common to MIDI, but no matter how I adjusted I found it wasn't nearly sensitive enough. If, like me, you play with a lighter touch or want a bit more dynamic subtlety, you really have to whack it for your hits to register, which is distracting if you’re playing in a quiet setting (like providing backing in an otherwise unplugged setting). It’s also a pain because there’s no global setting; you have to set it pad-by-pad per kit, which is a time-consuming pain in the neck. I’d have preferred a quick-and-dirty global adjustment with the ability to tweak individual pads if/as needed. There’s something else worth noting that stems from the low sensitivity. Unlike the Yamaha DTM-12 or the Roland Handsonic series, you can’t really play this with your bare hands. Sampling: You can’t use the same number or length of samples here that you could use with a Roland SPD-SX, or even an Avatar HXW PD708. So you can get individual hits, or brief loops (there’s a 20-second limit), but if you want to trigger backing tracks, you’d have to MIDI out to a sampler or laptop and trigger from there, which cuts down on this multipad’s usefulness as a self-contained unit. Inputs: MIDI in, AUX in, and three controller/pad inputs. They’re mono ins, though, so you can’t run a pair of pads (or a two-zone snare pad, from what I can see) off those inputs unless you used a splitter to two of the available jacks and reassigned voices afterward (which is doable, but hardly an elegant way of doing things). Conclusion: When you put it all together, is it worth it? If you need a self-contained setup that’s inexpensive and capable of triggering full backing tracks, the Avatar looks like a better option on paper (especially since it has more pad inputs). The Yamaha’s getting long in the tooth, the Alesis has a lousy reputation for reliability, and while the Roland remains the industry standard, it’s spendy. So if you just need a little extra percussion in your setup, or if you have something to MIDI out to, it might be worthwhile, especially given the build quality, cost, and pretty good wired MIDI implementation. Would I do it again? In a word, probably not. It doesn’t have the dynamic control or range I prefer for my playing. What’s more, the self-contained kits aren’t good enough to make this a worthwhile purchase, because even if a similarly-priced competitor fell short, their considerably larger memory means you could easily find a sample library that filled in the gaps. This isn’t a terrible piece of gear, but it could’ve been so much better.

Muy bueno y excelente precio, ya voy comprando dos